A little
clarity.

Contact inquiries

When you send a message, WordPress stores your name, email address, topic, message and consent with a timestamp. A notification is sent to the site team through Brevo. Your details are used to handle your inquiry and are not displayed publicly. Contacting the team does not subscribe you to the newsletter.

Newsletter

Newsletter signups are sent to Brevo, which manages email addresses and subscription status for this site. The signup form requires your consent to receive music updates, stories and concert announcements. You can unsubscribe using the link in a newsletter or use the contact form to request removal from the mailing list. See Brevo’s privacy policy for information about its processing.

Your choices

Use the contact form to request access to or removal of an inquiry or mailing-list record. Newsletter consent is separate from contacting the team. A theme preference is stored in your browser.

Embedded media

YouTube videos and Apple Music players load when you choose to play them. Album artwork loads from Apple’s image servers. Archival photographs may load from their credited publishers. Video thumbnails may load from YouTube before playback. YouTube, Google Fonts and external streaming or social websites handle data under their own policies.

Sources & photography

Artist photograph: My Ouai. Stage photograph: Middle Motion, Casino de Paris, 2018. Cover art and music metadata: Apple Music. Biography: Apple Music and the official YouTube biography. Photographs and cover art remain the property of their respective rights holders. Contact the site team about credits or reproduction permissions.

Media articles are original English editorial summaries with links to their sources. Displayed dates follow the cited report, event, release, video, photograph or packaging, with the date type stated. They are not the publication dates of these English summaries. Sources giving only a month or year retain that precision; guides without one dated source are undated. No quotations or opinions are attributed to Harout unless supported by a cited source. The concert archive is incomplete and distinguishes announcements, performance evidence and recording-release dates.